ISLA IPGT 26849
Audiovisual Aesthetics and Language
Sound and Image
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ApresentaçãoPresentationThis curricular unit introduces students to the principles of audiovisual aesthetics and language, exploring how image, sound, composition, lighting, colour, movement and editing contribute to meaning-making in audiovisual productions. Through the critical analysis of audiovisual works and practical experimentation, students develop visual literacy, aesthetic awareness and the ability to critically interpret audiovisual language while applying its principles to the creation of audiovisual productions. The course encourages students to justify their creative decisions and prepares them to design visually coherent productions suited to a variety of contemporary communication contexts.
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ProgramaProgrammeIntroduction to audiovisual aesthetics and language. Principles of audiovisual storytelling and the grammar of audiovisual language. Visual composition, framing, perspective and camera movement. Lighting, colour and art direction as expressive elements. Mise-en-scène and visual narrative construction. Editing, rhythm, continuity and discontinuity. Sound, music and silence as expressive resources. Styles, genres and aesthetic movements in audiovisual production. Critical analysis of audiovisual works and the application of aesthetic and narrative principles through practical exercises.
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ObjectivosObjectivesBy the end of this curricular unit, students will be able to: - Understand the fundamental principles of audiovisual aesthetics and language. - Identify, analyse and critically interpret the visual and auditory elements that shape audiovisual narratives. - Recognise different audiovisual styles, genres and aesthetic approaches. - Apply principles of composition, framing, lighting, colour, movement and rhythm according to narrative and communicative intentions. - Understand the contribution of editing, sound and mise-en-scène to audiovisual meaning. - Develop visual literacy, aesthetic awareness and critical thinking. - Justify creative and aesthetic decisions in the analysis of audiovisual works and practical projects.
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BibliografiaBibliography- Arijon, D. (2015). Grammar of the shot (3rd ed.). Focal Press. - Block, B. (2020). The visual story: Creating the visual structure of film, TV and digital media (3rd ed.). Routledge. - Bordwell, D., Thompson, K., & Smith, J. (2023). Film art: An introduction (13th ed.). McGraw-Hill. - Brown, B. (2021). Cinematography: Theory and practice (4th ed.). Routledge. - Rabiger, M., & Hurbis-Cherrier, M. (2020). Directing: Film techniques and aesthetics (6th ed.). Routledge.
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MetodologiaMethodologyThe curricular unit adopts active learning methodologies, combining lectures with the critical analysis of audiovisual works, case studies, guided discussions and practical experimentation. Students complete individual and collaborative exercises, applying the principles of audiovisual language and aesthetics to creative problem-solving. Whenever appropriate, audiovisual editing and post-production software is used to explore concepts such as rhythm, editing, colour and visual storytelling. Learning is further supported through critical reflection, continuous feedback and project presentations, fostering autonomy, creativity and the ability to justify aesthetic decisions.
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LínguaLanguagePortuguês
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TipoTypeSemestral
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ECTS6
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NaturezaNatureMandatory
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EstágioInternshipNão
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AvaliaçãoEvaluation
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Análise da Obra Audiovisual
02-06-2026
50%
Produção de uma Sequência de Abertura
30-06-2026
40%
Participação
10%
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...


